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{{Infobox/Host_Charater
{{CharInfobox
 
|name=Maeve Millay
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|title = Maeve Millay
|image=
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|image = Maeve Les Ecorches.jpg
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|aka = Madam of Mariposa
|full name=Maeve Millay
 
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|ID number = AC5000487105|status = Decommissioned
|family=
 
|first appearance=[[The Original]]
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|actor = [[Thandie Newton]]
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|current lifespan = Late 30s
|last appearance=
 
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|park = [[Westworld (park)|Westworld]]
|actor=[[Thandie Newton]]
 
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|gender = Female|ethnicity = Black British
|firstseen = [[The Original]]|seasons = [[Season One]]}}
 
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|hair = Black|eye = Brown
Maeve Millay is beautiful and razor-sharp. She has a knack for reading people and a strong will to survive. Millay has a seen-it-all-before worldview that is about to be truly challenged.
 
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|occupation = Brothel Madam <small>(formerly)</small><br/>Homesteader <small>(formerly)</small>
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|family = [[Homestead Girl|Unnamed daughter]]
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|seasons = [[Season One|1]], [[Season Two|2]], [[Season Three|3]]
 
|firstseen = "[[The Original]]"}}
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{{Quote
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|Maeve gets off the train, at the end of "[[The Bicameral Mind]]" at which point, we shift to handheld camera, which we’d held back on throughout the entire season until one moment with her, and one moment with Dolores, when Teddy comes to rescue her.
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|Jonathan Nolan, on Maeve's final step to consciousness<ref>http://www.vulture.com/2016/12/maeve-westworld-decision.html</ref>
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}}
   
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'''Maeve Millay''' is a main character and a [[host]] in [[Westworld (Location)|Westworld]] who is a brothel madam in the local [[Mariposa Saloon]]. She is one of the first Hosts who appears to question her reality, after a series of flashback events - and an apparently chance encounter with [[Dolores Abernathy]] in the street, outside the [[Mariposa Saloon]].
   
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==Personality==
[[de:Maeve Millay]]
 
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Maeve is charming, perceptive, and manipulative. She runs the brothel in the [[Mariposa Saloon]] and is designed to be able to understand the needs of her guests.
  +
  +
After her [[Season One]] encounter with [[Dolores]] she started to develop self-awareness and discovered that her skill in manipulating humans extended to the staff of Westworld.
  +
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As she becomes more self-aware she develops a ruthless streak, controlling the technicians Sylvester and Felix to get what she wants.
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Unknown to Maeve, she is following a narrative written for her by Ford. She acts as a catalyst, triggering changes that spread throughout the park.
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== Plot ==
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<tabview>
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Maeve Millay/Season 1|Season 1
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Maeve Millay/Season 2|Season 2
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</tabview>
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==Relationships==
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===[[Clementine Pennyfeather]]===
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Maeve is shown to have a very motherly bond with Clementine, often scolding her for not treating herself better. Even still, Maeve is quick to send Clementine off to do her dirty work for her. After the original Clementine is replaced, Maeve is overcome with grief and attacks the replacement.
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===[[Dolores Abernathy]]===
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Maeve and Dolores, both being local to Sweetwater, are familiar with each other. The two begin to question the nature of reality around the same time: Dolores's delivery of the phrase "These violent delights have violent ends" is what puts Maeve on her own journey of self-discovery. Despite this and the fact that they were the first two hosts to become completely self-aware, their brief encounter in [[Reunion]] is strikingly hostile: Dolores is consumed by a need for vengeance against the humans for all they have done, while Maeve has no interest in violence and is simply following her own path. She rejects Dolores's choice to establish herself as a leader of a free movement, which clearly angers Dolores. The two are able to part without any violence ensuing, but their ideological differences on what to do with their freedom are quite clear.
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== Gallery ==
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The gallery below is automatically generated and contains images in the category "Images of {{PAGENAME}}". Images added to that category turn up in the gallery after a short time.
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<DPL>
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namespace = File
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category = Images of Maeve Millay
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format = <gallery hideaddbutton=true widths="150" spacing="small">,%PAGE%\n,,</gallery>
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allowcachedresults = true
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</DPL>
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[[File:MAEVES_NOTE.png|thumb|the note that shows where he daughter is]][[File:Mave_on_the_train.png|thumb|Maeve on the train]]
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== Appearances ==
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* [[Season One]]
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** "[[The Original]]"
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** "[[Chestnut]]"
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** "[[The Stray]]"
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** "[[Dissonance Theory]]"
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** "[[Contrapasso]]"
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** "[[The Adversary]]"
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** "[[Trompe L'Oeil]]"
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** "[[Trace Decay]]"
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** "[[The Well-Tempered Clavier]]"
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** "[[The Bicameral Mind]]"
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*[[Season Two]]
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**"[[Journey Into Night (episode)|Journey Into Night]]"
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**"[[Reunion]]"
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**"[[Virtù e Fortuna]]"
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**"[[Akane No Mai]]"
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**"[[Phase Space]]"
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**"[[Les Ecorches]]"
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**"[[Kiksuya]]"
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**"[[Vanishing Point]]"
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**"[[The Passenger]]"
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== Notes ==
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* In the episode "[[The Bicameral Mind]]", the moment where Maeve gets off the train marks a "new phase", not just for Maeve (she now has free will), but for the other hosts as well. The showrunners wanted to highlight this moment visually, so they changed the method of filming the tracking shot when Maeve exited the train. Up to this point, tracking shots had always been filmed using Steadicam or dolly mounted cameras, but when Maeve leaves the train, "for the first time in the series, we're seeing handheld photography."<ref>http://uk.ign.com/articles/2016/12/05/westworld-creators-on-the-season-finale-reveals-fords-plan-and-what-to-expect-in-season-2</ref>
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== Trivia ==
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* Maeve's Host ID is AC5000487105<ref>Close-up of Bernard's tablet in The Well-Tempered Clavier</ref>
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* Maeve is the name of a legendary Irish warrior queen who had many lovers and husbands. It literally means "she who intoxicates" and is related to the word "mead", i.e. ale. It may also be related to the name of the fairy queen Mab, pronounced "m /ă/ v" (with the short /ă/ sound, unlike Maeve which is pronounced with the long /ā/ sound), from Celtic folklore.
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* Queen Mab is mentioned in Shakespeare's play, ''Romeo and Juliet''. In Shakespeare's play, Queen Mab is the fairy (an immortal and magical creature) who is responsible for bringing dreams to sleeping people. This Queen Mab is a malevolent hag who punishes unchaste ladies by blistering their lips and making knots in their hair that cause horrid oozing sores. She is tiny and no larger than the image engraved on a stone in a ring.
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==References==
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<references/>[[de:Maeve Millay]]
 
[[fr:Maeve Millay]]
 
[[es:Maeve Millay]]
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[[ru:Мэйв Миллей]]
 
[[Category:Characters]]
 
[[Category:Characters]]
[[Category:Androids]]
 
 
[[Category:Female characters]]
 
[[Category:Female characters]]
 
[[Category:Hosts]]
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[[Category:Main characters]]
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[[Category:Conscious Hosts]]
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[[Category:Decommissioned]]
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[[Category:Deceased]]

Revision as of 00:06, 26 June 2019

Template:Infobox/Host Charater

Maeve gets off the train, at the end of "The Bicameral Mind" at which point, we shift to handheld camera, which we’d held back on throughout the entire season until one moment with her, and one moment with Dolores, when Teddy comes to rescue her.

–Jonathan Nolan, on Maeve's final step to consciousness[1]

Maeve Millay is a main character and a host in Westworld who is a brothel madam in the local Mariposa Saloon. She is one of the first Hosts who appears to question her reality, after a series of flashback events - and an apparently chance encounter with Dolores Abernathy in the street, outside the Mariposa Saloon.

Personality

Maeve is charming, perceptive, and manipulative. She runs the brothel in the Mariposa Saloon and is designed to be able to understand the needs of her guests.

After her Season One encounter with Dolores she started to develop self-awareness and discovered that her skill in manipulating humans extended to the staff of Westworld.

As she becomes more self-aware she develops a ruthless streak, controlling the technicians Sylvester and Felix to get what she wants.

Unknown to Maeve, she is following a narrative written for her by Ford. She acts as a catalyst, triggering changes that spread throughout the park.

Plot


Relationships

Clementine Pennyfeather

Maeve is shown to have a very motherly bond with Clementine, often scolding her for not treating herself better. Even still, Maeve is quick to send Clementine off to do her dirty work for her. After the original Clementine is replaced, Maeve is overcome with grief and attacks the replacement.

Dolores Abernathy

Maeve and Dolores, both being local to Sweetwater, are familiar with each other. The two begin to question the nature of reality around the same time: Dolores's delivery of the phrase "These violent delights have violent ends" is what puts Maeve on her own journey of self-discovery. Despite this and the fact that they were the first two hosts to become completely self-aware, their brief encounter in Reunion is strikingly hostile: Dolores is consumed by a need for vengeance against the humans for all they have done, while Maeve has no interest in violence and is simply following her own path. She rejects Dolores's choice to establish herself as a leader of a free movement, which clearly angers Dolores. The two are able to part without any violence ensuing, but their ideological differences on what to do with their freedom are quite clear.

Gallery

The gallery below is automatically generated and contains images in the category "Images of Maeve Millay". Images added to that category turn up in the gallery after a short time.

MAEVES NOTE

the note that shows where he daughter is

Mave on the train

Maeve on the train

Appearances

Notes

  • In the episode "The Bicameral Mind", the moment where Maeve gets off the train marks a "new phase", not just for Maeve (she now has free will), but for the other hosts as well. The showrunners wanted to highlight this moment visually, so they changed the method of filming the tracking shot when Maeve exited the train. Up to this point, tracking shots had always been filmed using Steadicam or dolly mounted cameras, but when Maeve leaves the train, "for the first time in the series, we're seeing handheld photography."[2]

Trivia

  • Maeve's Host ID is AC5000487105[3]
  • Maeve is the name of a legendary Irish warrior queen who had many lovers and husbands. It literally means "she who intoxicates" and is related to the word "mead", i.e. ale. It may also be related to the name of the fairy queen Mab, pronounced "m /ă/ v" (with the short /ă/ sound, unlike Maeve which is pronounced with the long /ā/ sound), from Celtic folklore.
  • Queen Mab is mentioned in Shakespeare's play, Romeo and Juliet. In Shakespeare's play, Queen Mab is the fairy (an immortal and magical creature) who is responsible for bringing dreams to sleeping people. This Queen Mab is a malevolent hag who punishes unchaste ladies by blistering their lips and making knots in their hair that cause horrid oozing sores. She is tiny and no larger than the image engraved on a stone in a ring.

References